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As a sensual idiom, Marina Declarey designs her collections 

like a sculptor shapes the clay. 


Then she feigns the use of the object by a diligent ornament 

where the finishing signs the singularity of its conceptions. 

The primitive as an emblem of modernity.


The expression is direct and brutal but,

through the object: universal.


The organicity of its her furniture questions in its

function so much so that it is presented the most of

the timein declination: 3 forms. Paradigm.


Attached to a community of craftsmanship

excellence, the designer stands on

an innovative line of exploration.


Uprooted, stripped of its initial function,

she temporarily deconstructs the domestic

object from its conventional use.

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